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The “war on childhood obesity” has only caused shame. Aubrey Gordon Ms. Gordon is the author of the forthcoming book “What We Don’t Talk About When We Talk About Fat. ” Nov. 13, 2020 Credit... Angie Wang I was in the fourth grade, sitting in a doctor’s office, the first time my face flushed with shame. I was, I had just learned, overweight. I will remember the pediatrician’s words forever: It’s probably from eating all that pizza and ice cream. It tastes good, doesn’t it? But it makes your body big and fat. I felt my face sear with shame. There was more: Just imagine that your body is made out of clay. If you can just stay the same weight, as you grow, you’ll stretch out. And once you grow up, you’ll be thin and beautiful. Won’t that be great? I learned so much in that one moment: You’re not beautiful. You’re indulging too much. Your body is wrong. You must have done it. I’d failed a test I didn’t even know I’d taken, and the sense of failure and self-loathing it inspired planted the seeds of a depression I would live with for many years. As the holiday season approaches, with its celebratory family meals and seasonal treats, I worry about the children across the country who will endure similar remarks, the kind that shatter their confidence, reject their bodies and usher them into a harsh new world of judgment. For the rest of my childhood, I weathered the storm of conversations like the one I had at the doctor’s office. Well-meaning, supportive adults eagerly pointed out my perceived failings at every turn. As the years went on, more and more foods, I was told, were off limits. It wasn’t just that I shouldn’t eat them; it was that they were sinful, bad, tempting. Many of those foods — eggs, nuts, avocados — would later fall back into the good graces of healthy eating. At the time, though, they were collateral damage in a crusade to cut calories at all costs. Fiber, vitamins, minerals, fatty acids, protein — they were all sacrificed at the altar of calories in, calories out. The focus was never on enjoying nutritious foods, just on deprivation, will and lack. My life was filled with self-flagellation, forced performances to display my commitment to changing an unacceptable body. Adults asked openly about what I had eaten, when I had exercised and whether I knew how to do either correctly. After all, if I was still fat, it must be my fault. My body wasn’t just a body, the way a thinner one might have been. It was perceived as a burden, an inconvenience, a bothersome problem to solve. Only thinness would allow me to forget my body, but despite my best efforts, thinness never came. The more I and others tried to change my size, the deeper my depression became. Even at such a young age, I had been declared an enemy combatant in the nation’s war on childhood obesity, and I felt that fact deeply. Bodies like mine now represented an epidemic, and we were its virus, personified. The war on obesity seemed to emerge, fully formed, near the turn of the millennium, but its roots run deeper than that. C. Everett Koop, surgeon general under President Ronald Reagan, made fatness a priority for his office in the 1980s. In 2004, nearly three years after the Sept. 11 attacks, Surgeon General Richard Carmona compared the war on obesity to the war on terror. Suddenly, fat people weren’t just neighbors, friends or family members — we were enemies to be feared. The war on childhood obesity reached its zenith with the 2010 introduction of the national “Let’s Move! ” campaign, “dedicated to solving the problem of obesity within a generation. ” It was a campaign against “childhood obesity” — not specific health conditions or the behaviors that may contribute to those health conditions. It wasn’t a campaign against foods with little nutritional value, or against the unchecked poverty that called for such low-cost, shelf-stable foods. It was a campaign against a body type — specifically, children’s body types. In 2012, Georgia began its Strong4Life campaign aimed at reducing children’s weight and lowering the state’s national ranking: second in childhood obesity. Run by the pediatric hospital Children’s Healthcare of Atlanta, it was inspired in part by a previous anti-meth campaign. Now, instead of targeting addiction in adults, the billboards targeted fatness in children. Somber black-and-white photographs of fat children stared at viewers, emblazoned with bold text. “WARNING: My fat may be funny to you but it’s killing me. Stop childhood obesity. ” “WARNING: Fat prevention begins at home. And the buffet line. ” “WARNING: Big bones didn’t make me this way. Big meals did. ” The billboards purported to warn parents of the danger of childhood fatness, but to many they appeared to be public ridicule of fat kids. Strong4Life became one of the nation’s highest-profile fat-shaming campaigns — and its targets were children. These declarations of an obesity epidemic and a war on childhood obesity all doggedly pursued one question, and one question only: How do we make fat kids thin? In other words, how do we get rid of fat kids? Overwhelmingly, childhood anti-obesity programs hinged on shame and fear, a scared-straight approach for fat children. As of 2017, fully half of the states required that schools track students’ body mass index. Many require “B. M. I. report cards” to be sent home to parents, despite the fact that 53 percent of parents don’t actually believe that the reports accurately categorize their child’s weight status. And observational studies in Arkansas and California have shown that the practice of parental notification doesn’t appear to lead to individual weight loss or an overall reduction in students’ B. s. One eating disorder treatment center called the report cards a “pathway to weight stigma” that would most likely contribute to the development of eating disorders in predisposed students. Experiencing weight stigma has significant long-term effects, too. A 2012 study in the journal Obesity asked fat adults to indicate how often they had experienced various weight-stigmatizing events. Seventy-four percent of women and 70 percent of men of similar B. and age reported others’ making negative assumptions. Twenty-eight percent of women and 23 percent of men reported job discrimination. The effects of stigma were especially dire for young people, very fat people and those who started dieting early in life. To cope, 79 percent of all respondents reported eating, 74 percent isolated themselves, and 41 percent left the situation or avoided it in the future. Rather than motivating fat people to lose weight, weight stigma had led to more isolation, more avoidance and less support. Despite ample federal and state funding, multiple national public health campaigns and a slew of television shows, the war on obesity does not appear to be lowering Americans’ B. According to the Centers for Disease Control and Prevention, since 1999 there has been a 39 percent increase in adult obesity and a 33. 1 percent increase in obesity among children. Weight stigma kick-starts what for many will become lifelong cycles of shame. And it sends a clear, heartbreaking message to fat children: The world would be a better place without you in it. Yet, despite its demonstrated ineffectiveness, the so-called war on childhood obesity rages on. This holiday season, for the sake of children who are told You’re not beautiful. You must have done it, I hope some parents will declare a cease-fire. Aubrey Gordon, who has written under the pseudonym “Your Fat Friend, ” is a columnist for Self magazine, a co-host of the podcast “Maintenance Phase” and the author of the forthcoming book “ What We Don’t Talk About When We Talk About Fat. ” The Times is committed to publishing a diversity of letters to the editor. We’d like to hear what you think about this or any of our articles. Here are some tips. And here’s our email:. Follow The New York Times Opinion section on Facebook, Twitter (@NYTopinion) and Instagram.

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Euphoria centers on CDC researcher Abby Arcane. When she returns to her childhood home of Houma, Louisiana, in order to investigate a deadly swamp-borne virus, she develops a surprising bond with scientist Alec Holland — only to have him tragically taken from her. But as powerful forces descend on Houma, intent on exploiting the swamp’s mysterious properties for their own purposes, Abby will discover that the swamp holds mystical secrets, both horrifying and wondrous — and the potential love of her life may not be after all.

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Alonetraveler. HANN (Alone) (한(一)) is the first digital single album by South Korean girl group (G)I-DLE. It was released digitally on Aug 14, 2018 along with a music video for the song. Description [ edit | edit source] "(G)I-DLE, the monster rookie, hit the world music market and ranked high on several music charts soon after their debut. Their new digital single, 'HANN (Alone)' will continue the craze of 'LATATA' which contains fateful story tells about there is no eternal love. Believe it or not, (G)I-DLE has achieved a remarkable success within two months since their debut in May 2018. (G)I-DLE who has been recognized as a global premium rookie, presents their new digital single 'HANN(Alone)' to continue the unstoppable race. The song 'HANN (Alone)' is based on Moombahton from house music genre showing connection with the previous song "LATATA". This song has written by Soyeon expressing betrayal, parting, and feeling of left by using the ambiguous word Han (Han has various meaning such as a number, one, or a combined feelings of sorrow, spite, rancor, regret, resentment, or grief). Self-producing and self-composing its own debut album shall be an unusual talent for a new female idol group, but Soyeon, the leader of (G)I-DLE, had been recognized for her composing and producing talent and again, she now presents a new song, 'HANN'. Minnie's whistling sound on the intro of the song stimulates the listener's ear and creates a unique and cool atmosphere, leaving intense reverberation to the listener. The heavy, subdued drum beat centers on the organ sound that captures the ears makes the overall atmosphere of the song dreamy and mysterious. The vocal tones of the six members melted over the layers of various folk musical instrument sound. Like a dance of a passionate dancer for a loved one, the lyrics are straight and maintain a dignified attitude without any frustration even getting hurt by farewell. You will be also captured to a magical spell "I'll forget about you". (G)I-DLE shouts out. Such as 'LATATA', director Won-ki Hong (ZanyBros) directed the girl's Music Video again and successfully completed filming the girls' appearance who have locked themselves in their minds and closed their hearts. Emotional images that utilize objects such as mirrors, clothes, and flowers that are connected to the group performance are displayed in the distinctive contrast, colorful lighting, and fancy film set captivate the eyes without a dull moment. As hot as the heat of this summer, please look forward to the girls' energetic performance on the stage. "Compare to 'LATATA', HANN (Alone) has a different charm and color. Since Soyeon, the leader of (G)I-DLE and knows best about the members, has wrote the song, the song well harmonized each member's personality and charm, now become one. " [1] Lyrics [ edit | edit source] Videos [ edit | edit source] (여자)아이들((G)I-DLE) - '한(一)(HANN(Alone))' Official Music Video References [ edit | edit source] v - e Miyeon • Minnie • Soojin • Soyeon • Yuqi • Shuhua Discography Korean Mini albums I Am I Made I Trust I Burn Single albums DUMDi DUMDi Singles " HANN (Alone) " • " Uh-Oh " • " LION " Title tracks " LATATA " • " HANN (Alone) " • " Senorita " • " Uh-Oh " • " LION " • " Oh my god " • " DUMDi DUMDi " • " HWAA " Collaborations ONE • Wow Thing ( Soyeon) • I Wanna Be ( Soyeon) • Cart ( Miyeon) • DESSERT ( Soyeon) Soundtracks Relay • Help Me Pre-debut 35 Girls 5 Concepts ( Soyeon) • Jelly ( Soyeon) • Idle Song ( Soyeon) Japanese LATATA • Oh My God " LATATA (Japanese Ver. ) " • " Oh my god (Japanese ver. ) " English " LATATA (English Ver. ) " • " HWAA (English Ver. ) " POP/STARS ( Miyeon and Soyeon) • EMPIRE ( Minnie) • GIANTS ( Soyeon) • THE BADDEST ( Miyeon and Soyeon) Chinese " DUMDi DUMDi (Chinese Ver. ) " • " HWAA (Chinese Ver. ) " Covers Dance All That Jazz • Brand New • FAKE LOVE • Fire • Hot Issue • Light My Body Up • Sunny • U-Go-Girl Vocal Be Natural • Goodbye Sadness, Hello Happiness • Gravity • Love Scenario • Don't Touch Me Events Concerts / Tours United Cube ONE (2018) • I-LAND (2020) Filmography Shows Queendom • I-TALK • To NEVERLAND • MADE by SOYEON ( Soyeon) Produce 101 ( Soyeon) • Unpretty Rapstar 3 ( Soyeon) Related Topics Agency Cube Entertainment.

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